1990. Choose a novel or play that depicts a conflict between a parent (or a parental figure) and a son or daughter. Write an essay in which you analyze the sources of the conflict and explain how the conflict contributes to the meaning of the work. Avoid plot summary.
This was the first open prompt I did in for the blog, and I used a pop-culture novel (My Sister's Keeper by Jodi Picoult). That was a huge mistake because Ms.Holmes hates that, and now that I look at it, it just looks dumb analyzing that novel after reading so many classics. Therefore, I am writing on a whole new novel, which I know isn't a revision... but OH WELL.
Parent child relationships are common in novels and plays. However, a meaningful conflict in this kind of relationship could be hard to find. In Arthur Miller's famous play, The Death of a Salesman, Willy Loman and Biff Loman's relationship depicts a perfect conflict that contributes to the meaning of the work. The difficulty Biff has of trying to understand his father and Willy's stubborn beliefs not only initiates the conflict but acts as fuel to heighten the tension.
From Biff's childhood to teen years, he admired his father, Willy. Willy also had great expectations of Biff; he hoped and saw Biff's future for himself. Willy believed that in order to be respected in the future, Biff had to chase after the idealistic values of the American Society. Throughout the flashbacks, it shows that Biff agreed with Willy's idea. Biff dreamed of becoming a famous football star and making his father proud. From the start, Willy had too high of expectations for a young boy in the wrong mindset due to the regrets that he had for himself. Through Willy, Biff believed that being favored by others should be prioritized over education. Willy's wrong expectations was what initiated the greater conflict.
It isn't till soon after where Biff realizes that what he's dreamed of was falling apart. As he hopes that his admiring father could help him, the conflict rises with Biff witnessing his father's affair and betrayal. Biff is even more distressed as Willy does not accept the fact that he was not committed to his family. The conflicts leads Biff to the west uneducated. The west signifies the American dream where new opportunities are created. Biff learns the hard way and tries to reconcile with his father in hopes of bringing the family members to the west.
In the midst of Biff's attempt to talk to his father, he only realizes that Willy's stubborn personality and his past will never accept the true ideas. The clash between Willy and Biff's ideals of the real American dream never settles. The little conflicts caused them to separate and find their own pathways. The growing conflicts allowed Biff to face reality and gradually accept Willy's behavior. The conflict became big enough to the point where their resolution only ended in another difference in ideas. Without Willy and Biff's conflict, the idea that the American dream everyone hopes for is different for each person would not have been attained.
Sunday, April 21, 2013
Monday, April 15, 2013
Ceremony Summary & Analysis
Leslie Marmon Silko (March 5, 1948- present)
- Native American writer of the Laguna Pueblo tribe
- Born in Albuquerque, New Mexico.
- Learned traditional storytelling from her family (grandmother)
- She is one-fourth Laguno Pueblo
- Laguna Pueblo Reservation
- Some parts of U.S (California)
- Shifts from before 1942(Bataan March) to present
- BEFORE THE MILITARY (childhood-enlistment)
- Tayo is a half white and half Native American boy born to Laura
- Laura is Native American but strays away from the culture; she was alcoholic and went out with white men
- Before Tayo was born, Laura's sister, "Auntie" saw her walking by the river early in the morning in heels and no clothes
- When Tayo was young, Laura died and Josiah, Tayo's uncle brought him into the family
- Tayo can't ajust well due to the fact that he's biracial.
- Auntie never liked the idea of taking care of Tayo because their family gets judged enough. She never showed it in front of grandma, but made sure Tayo knew that he didn't belong here
- Auntie didn't was her son, Rocky, to be associated with Tayo by any means.
- Rocky and Tayo both knew, but gradually became close as they grew up. Rocky is much different from Tayo in a sense that Rocky wants to leave the reservation ASAP.
- Tayo was closest with Josiah and helped him and Robert (Auntie's husband) with the cattle work. He also kept Josiah's secrets about night swan (Josiah's Mexican gf) and the desert cattle
- When a military recruiter visits the reservation, Rocky persuades Tayo and both sign up to enlist in the military
- Harley, Emo, Pinkie, and Leroy are Tayo's childhood friends from the reservation. Emo and Tayo were never on good terms.
- DURING DUTY
- They must fight the Japanese, but Tayo just can't kill people.
- Rocky dies during duty; Tayo doesn't believe that Rocky's dead and watched the Japanese soldier shoot dead Rocky
- Tayo is held hostage in the Japanese Prison.
- During war, he's at a point in which he was shoot the Japanese soldiers but fail to do so because he saw uncle Josiah with the Japanese. He knows that can't be possible because Josiah died at the reservation while Tayo was gone to military.
- Tayo understands the relationship of White men and native women or any men in military wear with white women
- Tayo also curses the rain away in the jungle and feels guilty that the six year drought at the reservation is his fault.
- Emo always boasts about his killings and starts conflicts with Tayo.
- PRESENT
- White doctors say that Tayo is struggling through PTS, however grandma disagrees and insists that he sees a medicine man
- All the other friends are also affected but with alcohol
- He comes back to the reservation from the white walled hospitals in California
- He decides to help Robert out with the Cattle
- Ku'oosh introduces Tayo to Medicine Man, Betonie
- Tayo tells Betonie everything while Betonie share stories and the value of Ceremony
- Betonie insists that Tayo must complete the ceremony despite the interferences
- In order to do so Tayo goes in search of Josiah's "desert" cattle
- The mountains are under close watch and finding the cattle is not easy
- With the help of T'seh, Tayo ends up to his final destination, the mine safely
- However, His friends are with Emo and he has to watch Harley get tortured by Emo. (emo's strategy to get Tayo to come out)
- Tayo survives and finishes the Ceremony in which the drought also comes to an end.
- Grandma believes that Tayo is a recurrence of Sun god
- Characters
- Tayo
- Protagonist; struggles with identity. He is half white and half Mexican; struggles through PTS after the war and can't let go of Josiah and Rocky's death
- Josiah
- Tayo's favorite uncle; he was dating a mexican (night swan) Grandma and Auntie were strongly against. He dies in the middle of the story; he had the wish to start a cattle business with the "all-purpose" desert cattle
- Auntie
- Tayo's aunt, Rocky's mother, Josiah's sister, Robert's wife. Claims to be a christian and treats Tayo like a responsibility to get to heaven. She wants Rocky to follow his dreams and become more white.
- Grandma
- Tayo's Grandma; she doesn't care if other people judge or talk about the family. She's always sleeping or quiet but is always listening
- Rocky
- Tayo's cousin; doesn't want to be associated with native culture in any way. dreams of being a football player and heading out to the states after school. He signs tayo and himself up for the military but ends up not returning due to death.
- Betonie
- Medicine man that Ku'oosh introduces. He is also of mixed race and he intimidates Tayo at first but ends up healing him and leading Tayo into the right direction of fulfilling the ceremony.
- Laura
- Tayo's mother; alcoholic, prostitute? a disgrace to the family
- Harley-> Leroy-> Pinkie and Emo
- All Tayo's childhood friends who also enlists in the military. Emo always hated Tayo and is the last interference in Tayo's ceremony.
- Quotes
- " It seems like I already heard these stories before - only thing is, the names sound different."
- where grandma believes that Tayo is sun god and that all that he's gone through was just trial
- Narrative voice
- The narrative voice not only shifts from past to present, but just everywhere throughout the book. There are little short storytelling going on down the center of a page at an interval of every so pages and the narrative voice is never identified. Sometimes, when he/she talks about whats going on, it's a simple and straight foward, detailed explanation. However, there's times when first and second person pronouns pop up. Usually when night swan talks about her story or when Tayo is speaking.
Response to Course Material
Ugh, I know this is late, but I swear it isn't "senioritis: slack on anything". I was actually gone the whole weekend with no access to computers... my apologies.
Tracing my memory since the last Response to Course Material, we started and finished Ceremony with discussion here and there. I enjoyed this book; it was definitely better than R&G. I just think that if there is a plot or premise to the book, it's probably better than a play full of repetition and absurd questions. Ceremony didn't have the comic side that I'm used to seeing in AP lit however. Some of my friends thought it was really difficult connecting the time settings that were weaved throughout the novel. That wasn't so difficult for me. Two years ago, I read Nineteen Minutes by Jodi Picoult and the time setting fluctuated from past to present every few pages. Totally different genre, but having read that was very helpful. To be honest, I couldn't finish the book by the first reading date. Not that it was long, not that it was switching settings on me, but grasping the symbols were difficult. Yeah, I got the surface understanding, but every time I read a line or page over again, It felt like I was being exposed to something brand new all over again. Something I found interesting was that Tayo struggles through an identity crisis and stumbles on deciding to live or die like all the other characters we've covered in this class. The difference I saw in that idea was that Tayo struggled from every point: family, friends, himself, background, and culture. He also didn't have a father problem unlike Hamlet or Biff/Willy. Ceremony is probably something that I would read again just to challenge myself in what more I could come across and how "deep" my thoughts are at each read... lawls.
Tracing my memory since the last Response to Course Material, we started and finished Ceremony with discussion here and there. I enjoyed this book; it was definitely better than R&G. I just think that if there is a plot or premise to the book, it's probably better than a play full of repetition and absurd questions. Ceremony didn't have the comic side that I'm used to seeing in AP lit however. Some of my friends thought it was really difficult connecting the time settings that were weaved throughout the novel. That wasn't so difficult for me. Two years ago, I read Nineteen Minutes by Jodi Picoult and the time setting fluctuated from past to present every few pages. Totally different genre, but having read that was very helpful. To be honest, I couldn't finish the book by the first reading date. Not that it was long, not that it was switching settings on me, but grasping the symbols were difficult. Yeah, I got the surface understanding, but every time I read a line or page over again, It felt like I was being exposed to something brand new all over again. Something I found interesting was that Tayo struggles through an identity crisis and stumbles on deciding to live or die like all the other characters we've covered in this class. The difference I saw in that idea was that Tayo struggled from every point: family, friends, himself, background, and culture. He also didn't have a father problem unlike Hamlet or Biff/Willy. Ceremony is probably something that I would read again just to challenge myself in what more I could come across and how "deep" my thoughts are at each read... lawls.
Sunday, March 17, 2013
Prompt Revision
"The Tide
Rises, The Tide Falls" by Henry Longfellow is a brief yet powerful poem which
emphasizes naturalism. Longfellow simply
delivers the message of life using several literary devices such as repetition
and symbolism to support the complex meaning of "tide rises, the tide
falls."
After giving it
a couple reads, readers are able to catch on to the surface meaning of the line "tide rise, the tide falls"
symbolizing the interminable time that passes. Longfellow uses repetition of
this line a total of four times. He places it in the beginning at first and as
the last line for each stanza respectively. By doing so, one values the
significance of the repetitious lines. The
repeated emphasis in each stanza provides an analysis of the nature moving on
despite the tide rising and falling. By this, one can see that no human being
can interrupt a nature's continuity. The way Longfellow describes the tides
rising and falling relates to the poem as a whole; a symbol of life. For
example, the tide rising describes a new life while the tide falling represents
the end or death of life and how the pattern continues.
Going deeper, one
can see that Longfellow incorporates a brand new meaning to the same line. When
reading these lines, one can see Longfellow’s views through the period of
Romanticism. For instance, the nature of rising and falling follow the idea of
intuition over reasoning and the tides liken with the nature and freedom. While
the first two repetitive lines expressed the ongoing life-cycle of nature and
human, the same line expresses the after-death in a different stanza. Once the
tide rises again and falls, it reaches out and fades the footprints. In other
words, a human's mark will eventually be forgotten after their death, and the
tide will continue to rise and fall, connecting back to the surface meaning
Although
Longfellow is a writer of Romanticism, Naturalism is also evidently shown when humans
cannot interrupt the sequence of nature; they cannot try to overcome or oppose
it either, which signifies limited freedom of the people. When the man hastened
toward the town, Longfellow’s diction shows that the man is hesitantly trying
to overcome the time. No matter how much he tries, he eventually cannot come
back (referring to death).
As a reader, one
can see the effectiveness of the line "the tide rises, the tide
falls" has on the poem. Unlike the light, rain, or any other nature
effects, a tide is something that will recur as long as the earth exists. It
marks the beginning and end; it symbolizes time. Longfellow does a phenomenal
representation of an on-going cycle, death, and time with a line of poetry.
For the revision, I re-read the comments from peers on the first draft. Julia suggested that I analyze more specifically by adding the structure of the poem. I talked about how the repetition of the line marking the beginning and ending of each stanza provided emphasis. Greg insisted on adding how naturalism plays a role. While reviewing the literary time periods, I noticed that it tied well into Romanticism as well because Longfellow is a writer of that period. Lastly, John suggested that I put more literary element connections, so in addition to symbolism and repetition, I briefly added the use of diction.
Saturday, March 16, 2013
week late R&G summary analysis
Tom Stoppard (1937-present)
- British Playwright
- as a child, his family moved around a lot
- Stoppard left school at age 17 and worked as a journalist
- Serves as on the advisory board of the magazine Standpoint
Setting
- woods/ forest
- Elsinore Castle
- boat
- similar time frame as Hamlet
Plot
- Act I
- Play opens up with Rosencrantz and Guildenstern tossing coins and getting heads each time
- Guildenstern brings up the law of probability and more references to physics
- Both repeatedly forget what is going on (being called by the king and their earliest memory)
- Guildenstern is frustrated with Rosencrantz illogical comments
- They faintly hear music and the Tragedians (players) enter
- Tragedians offer them a show in the woods
- Rosencrantz shows them the coin trick, but this time, it end up tails
- This suddenly leads both Rosencrantz and Guildenstern to Elsinore Castle where Ophelia is in act
- Claudius and Gertrude ask them for help and to find out the core of Hamlet's madness
- Very uncertain of what's going on, they plan and recite what they would ask Hamlet.
- Act II
- as they speak with Hamlet, Hamlet plays with his words and evermore confuse them
- They get nothing out of the conversation and are left with no idea
- Tragedians enter into the castle called by Hamlet. They prepare to preform the new script given about Claudius
- Meanwhile, Rosencrantz and Guildenstern contemplate over the mystery of death
- The next day, tragedians are ready and Alfred is dressed as Gertrude
- The play is actually a story of Rosencrantz and Guildenstern, but they fail to notice
- Claudius is furious with the play of his portrayal
- Through the king's order, Rosencrantz and Guildenstern are in search of Hamlet and where he put Polonius's body
- They fail to catch him and instead, the guards bring Hamlet to Claudius
- Claudius orders Ros and Guil to take Hamlet to England
- Act III
- Soon, both realize that they're on a boat with Hamlet to England
- They are unaware of what to do because Hamlet is asleep
- they talk about how much they received from Hamlet, but Ros doesn't tell him.
- Guil gets mad and Ros becomes sad and talk about fate
- Guil remembers that Claudius has given them a letter and takes it out
- the letter tells the English king to kill Hamlet
- both are confused and feel guilty
- Hamlet blows out the lights and Ros and Guil are fast asleep?
- Hamlet then switches the letter
- In the morning, they hear the tragedian's music once again
- The pirates attack their boat and goes into chaos
- Hamlet is gone and Ros takes out the letter to read that they, instead of Hamlet shall be killed
- Ros realizes that this is the end and leaves.
- Guil is alone and cries for Ros
- the Story ends with all corpse on the ground
Characters
- Rosencrantz & Guildenstern
- both childhood friends of Hamlet
- Each act, they're roles change
- Guildenstern studies his life
- Rosencrantz is carefree
- they both forget who they are and are always uncertain over their identities
- Player
- seems to know and understand what's going on
- leader of the tragedians.
- tragedians are a group of male actors putting on plays
- Rest of characters are in Hamlet
Motif
- Absurdism
- illogical comments
- rare connections between plots
- repetition in dialogue between R&G
- Identity
- both R&G mix their identity up
- mystery of fate
- mystery of death
- roles switch in each act
- Imagination over Reality
- coin flipping and getting heads 99 times
- using physics to back up their uncertainty
Quotes
- "Words, Words. They are all we have to go on"
- even though this play uses repetition, word play, illogical comments, words play a significant role. Through words they believe in physics even though it fails to work on them. Through words they find out their deaths. It's everything through words that the story goes on
- "Life in a box is better than no life at all"
- R&G debate about the mystery of life and death. The box signifies Shakespeare's boundaries with Hamlet and they realize they can't escape from it.
Sunday, March 10, 2013
Response to Course Material #7
ZOMG. WE HAVE LIKE 8 WEEKS LEFT OF HIGH SCHOOL.
We recently finished Rosencrantz and Guildenstern are Dead (R&G); I have to admit that it was pretty funny. Analyzing poems and MC practice is also what we've been doing since AP exam is getting closer by the day. Hm... we started the Native American novel, Ceremony, which I find really interesting and a bit difficult with all the symbol and time differences going on.
I would love to share a summary about R&G but there really isn't a story line to it. Sometimes it branches off of Hamlet, sometimes it branches off of absurdism, and sometimes it's the two talking about death and fate. Honestly, the play became more interesting after we finished the read because we were given two essays on the analysis of Stoppard's play. I think the one I read was the "spectre" one and it was about how Shakespeare is god in R&G. It stated things like how Rosencrantz and Guildenstern try to escape from Shakespeare, but fail to do so because their set in they're boundary. In addition, Rosencrantz and Guildenstern were compared to the players. I noticed that the players seemed much more serious and logical while I just couldn't even follow along R&G's dialogue. It was pretty awesome to find out the reason why. Apparently, this happens because the players are dependent on Shakespeare and they know their dependency while R&G are totally clueless. This is what I was able to grasp from R&G. However, as Ms.Holmes always says, plays and classical novels always have a new layer of meaning when you read it again. Maybe one day I'll read that play and see a whole new side to it.
In my previous Response to Course Material, I talked about how difficult MC questions are. We practiced them some more but unlucky Gloria Chang was absent those two days. I say unlucky because I really don't make an effort on a weekday nor a weekend to study AP MC questions... Well, that's what I didn't do, but a couple days ago, I talked to some classmates and came up with some new strategies. Although the MC questions were a downer, I'm actually too proud about my poem/essay analysis. For one of Shakespeare's play excerpt, I think I did a great job. I was able to see the several shifts in tone: bitter, humble, anger, and arrogance. I was able to see the biblical allusion of Lucifer's Fall and the diction of
glory". For a 40? 50? minute essay, I would pat myself on the back.
glory". For a 40? 50? minute essay, I would pat myself on the back.
That is all.
Wednesday, February 20, 2013
Late PROMPT REVISION
1991. Many plays and novels use contrasting places (for
example, two countries, two cities or towns, two houses, or the land and the
sea) to represent opposed forces or ideas that are central to the meaning of
the work. Choose a novel or play that contrasts two such places. Write an essay
explaining how the places differ, what each place represents, and how their
contrast contributes to the meaning of the work.
A contrast between two places is
significantly evident in F. Scott Fitzgerald's novel, The Great Gatsby. The
characters in this novel are settled either in East or West egg which represent
two distinct forces. East Egg is established with individuals who are wealthy
from the roots, while the West Egg is known as "new money", a place
that attracts un-original wealthy people, people who desire to be like the East
Egg. Fitzgerald uses two distinct towns to represent opposing wealth, attitude,
and status which contribute to the flow of Jay Gatsby's ambition to become
wealthy and win his first love, Daisy Buchanan, back.
Fitzgerald represents the East
Egg and West Egg as two different classes of social status and wealth. This is
shown when despite Gatsby's lie to Daisy about his prosperous family, she gives
up waiting for him and chooses to marry
Tom, a wealthy man from East Egg because East Egg has been home to the elites
and upper class. As mentioned before, the East Egg is referred as the old
money. When Gatsby throws lavishing consistent parties at his mansion in hopes
to attract Daisy; people in the East Egg don't make their way to his party. It
takes Nick and Jordan to persuade Daisy and Tom to visit the West. It becomes
clear that not only does Fitzgerald incorporate status into locations but also
the time period. This is also supported when Tom and Daisy are absorbed to the
past traditions and aristocratic values of East and refuse to change unlike
Gatsby and Nick.
On the other hand, West Egg is
consisted with lower/middle class people who made their own fortune and money
without being born with it. The people from the West are new to this wealth and
they look up to the stable social standings of the East. This sparks Gatsby to
work and reinvent himself to get Daisy back; he settles in the West across the
bay from Daisy's home. While these two cities symbolize the difference in society,
Fitzgerald uses the West to represent the new present, opposing the old money. In comparison to Daisy and Tom who are fixed
in the past, Nick and Gatsby who live in the West are ready to change and
reform. They live in present time and work for the future.
Throughout The Great Gatsby,
readers are able to see the difference in wealth, status, and attitude between
the East and the West Egg. Fitzgerald creates Tension between the two
contrasting places to represent opposing
ideas to the plot. In doing so, the story not only gets interesting, but it
connects to past American history and literature. The way Fitzgerald portrayed
the West in comparison to the East showed the opportunities provided in both
places. It's obvious to see that Gatsby followed the American Dream towards the
West to seek fortune. The divided setting of the novel contributes to the
symbolic meaning and theme of Fitzgerald's story as a whole.
I took into account of Chris, Julia, and Alison's suggestions. Although I dislike the new structure of the essay, I tried to separate the East and West into two separate paragraphs for less confusion as asked by Alison and Julia. I agreed that missing a thesis creates an unclear point throughout the writing as a whole. I inserted a old-fashioned three point thesis for clarity. I still like my first draft better; maybe it's easier to comprehend for me because I wrote it myself ...
Saturday, February 9, 2013
Response to Course Material #6
First blog post as a second semester senior! I recently looked through all my blog posts and it's actually very helpful. We've covered so many things, and if it wasn't for the blogs... It's impossible for me to remember all of them because we barely take notes in class. Anyhow, it's second semester, and we've started a new play, Rosencrantz and Guildenstern are Dead and continued with more practice on MC questions.
When reading Hamlet, I just saw Rosencrantz and Guildenstern as a pair of betrayers; nothing more, nothing less. However, after reading through almost half of this new play, it's really childish, but I see them as the pair of two bad guys in Disney movies or cartoons. You know, one really lanky man and one short clumsy chubby guy who tries to do as they are told from a person of high authority, but ends up screwing everything up because they just don't have common sense. I understand that this play is absurdist with repetitions and no one having a clue what they're saying, but at the same time consists of a deeper meaning behind. However, this one is extra hard to grasp. It could be because we haven't finished reading it. Something I do like about this play would be the witty and sarcastic remarks between the characters. It's really funny and their double meanings are a bit more obvious than in Hamlet. I guess i'll have to read to the end to actually analyze the real Rosencrantz and Guildenstern.
Multiple choice practices make me feel comfortable while answering, but completely throws me off with the number of questions I incorrectly answered. I sometimes feel that if I studied and used more challenging vocabulary, it would become easier... but that's only to a limit. I find myself easily grasping the meaning "around" the concept, but definitely not to the core. The advice I found to be most helpful was to think in the point of view of the person who wrote the questions and answers. That kind of helps me throw out the illogical answers. That doesn't work all the time though, so I'm trying to look for other ways. Overall, the play and MC questions are a good way to challenge myself and test my abilities.
When reading Hamlet, I just saw Rosencrantz and Guildenstern as a pair of betrayers; nothing more, nothing less. However, after reading through almost half of this new play, it's really childish, but I see them as the pair of two bad guys in Disney movies or cartoons. You know, one really lanky man and one short clumsy chubby guy who tries to do as they are told from a person of high authority, but ends up screwing everything up because they just don't have common sense. I understand that this play is absurdist with repetitions and no one having a clue what they're saying, but at the same time consists of a deeper meaning behind. However, this one is extra hard to grasp. It could be because we haven't finished reading it. Something I do like about this play would be the witty and sarcastic remarks between the characters. It's really funny and their double meanings are a bit more obvious than in Hamlet. I guess i'll have to read to the end to actually analyze the real Rosencrantz and Guildenstern.
Multiple choice practices make me feel comfortable while answering, but completely throws me off with the number of questions I incorrectly answered. I sometimes feel that if I studied and used more challenging vocabulary, it would become easier... but that's only to a limit. I find myself easily grasping the meaning "around" the concept, but definitely not to the core. The advice I found to be most helpful was to think in the point of view of the person who wrote the questions and answers. That kind of helps me throw out the illogical answers. That doesn't work all the time though, so I'm trying to look for other ways. Overall, the play and MC questions are a good way to challenge myself and test my abilities.
Monday, January 21, 2013
Hamlet--- Summary and Analysis
William Shakespeare (1564-1616)
- no birth records exist, only church records of baptism
- English poet and playwright
- married to a woman named Anne Hathaway
- had a son named Hamnet (I thought it was interesting how it sounded like Hamlet)
- wasn't as famous until the 19th century
- christian; he was buried in the Holy Trinity Church
Setting
- Denmark
- Elsinore Castle
- Graveyard
- Gertrude's bedroom; Closet, which actually was a private intimate space
- Time: late medieval period
Plot
- Act I
- While guarding the Elsinore Castle, Marcellus and Bernardo see a ghost that appears like past King Hamlet and tells Horatio.
- Horatio agrees that the ghost resembles dead King Hamlet and tries to speak with it, but no answer is heard
- Meanwhile, King Claudius, past King Hamlet's brother takes the throne and claims to take Gertrude, his brother's wife as his wife.
- Prince Hamlet is still bitter and mourns for his father's death while Laertes claims to leave to France.
- Claudius starts to act as a father to Hamlet and tells Hamlet to stay in the castle, for he is the next king.
- Hamlet is in great grief over his father's death and his mother's remarriage and desires to end his life until Horatio tells him about the ghost
- In the Meantime, as Laertes is getting ready to leave, he insists his sister, Ophelia, to stop loving Hamlet.
- Ophelia's father, Polonius becomes aware of Ophelia and Hamlet's relationship and forbids their love because Hamlet is in higher rank and he will not keep his promise and Ophelia obeys.
- Hamlet finally appears in front of the ghost and is told about his father's death. He also receives an order to seek revenge on Claudius who killed him.
- Hamlet swears to do so, and tells no one. The ghost only talked to Hamlet.
- Act II
- Polonius sends a messenger to France to spy on his son Laertes.
- As Ophelia enters and tells him about Hamlet's visit, Polonius decides to tell the King and Queen about Hamlet's emotional state
- Rosencrantz and Guildenstern, Hamlet's childhood friends, arrive from their college upon the King and Queens order.
- They are ordered to find out what Hamlet is actually thinking and what is bothering him and to cheer him up
- Polonius enters with great news from surrounding countries. He then talks about Hamlet and Ophelia's relationship showing them Hamlet's love letters.
- Polonius and the King and Queen come up with a plan to see how Hamlet confronts Ophelia when no one is present.
- Rosencrantz and Guilderstern first confront Hamlet, but Hamlet's notices that the King and Queen sent them, they admit it and can't get anything out of him.
- Soon after, the players for the play have arrived, and Hamlet is fond of them more than ever.
- Act III
- Upon Rosencrantz and Guildenstern's message, the King and Queen agree to watch the play.
- Meanwhile, King Queen, and Polonius decide to use the plan.
- As Hamlet states the famous "To be, or not to be" speech, he concerns or death and is having trouble distinguishing the ghost as temptation or truly his father's spirit.
- As Ophelia approaches, Hamlet shows disgust and anger.
- The king and queen both agree that Hamlet's madness is not caused by his love for Ophelia
- Polonius asks once more to spy on Hamlet. They arrange to send Hamlet in Gertrude's room after the play where Polonius will hide and listen.
- The play is about to begin and Hamlet insists them to weave the new story he has written in the play without making it obvious.
- As the play opens up, Hamlet continues to taunt Opehlia and embarrass her.
- His plan is to see how Claudius reacts to the new scene (scene where a brother kills the king to receive the throne).
- Once that scene is shows, Claudius becomes furious and leaves, in which Hamlet is now sure that what the ghost said is true.
- The King order Rosencrantz and Guildenstern to take Hamlet back to England and Polonius comes in to remind him about the plan
- Polonius tells Hamlet that the queen is waiting for him at her room to talk.
- As Hamlet makes his way to kill Claudius and go talk to the queen, he sees that Claudius is praying. Hamlet knows that the murder will not benefit him, for Claudius just repented his sins and decides not to.
- Hamlet makes his way into Gertrude's room and is furious of all the actions Gertrude has done and makes her feel guilty for past King Hamlet.
- As Gertrude cannot take it any longer, she asks for help and Polonius comes out of the curtains. Thinking that it is Claudius, Hamlet desperately stabs and kills him.
- Hamlet shows no regret to his action and leaves with Polonius's body
- Act IV
- Gertrude hurries on to Claudius and tells him of everything that happened with her and Hamlet
- They both agree to send Hamlet off to exile in England and call for Rosencrantz and Guildenstern to find out where Hamlet put the dead body
- Hamlet refuses to say and allows them to take him to the King
- The King explains of Polonius's death and plan to send Hamlet off. Before leaving, Hamlet mentions that the location of the body and agrees to leave.
- Rosencrantz and Guildenstern are ordered to kill Hamlet.
- Meanwhile Horatio convinces Gertrude to talk to Ophelia
- Ophelia is in her sleep clothing and has gone mad in front of the king and queen.
- Once Ophelia leaves, Laertes arrive with a armed force to kill Claudius for his father's death
- The king and queen reveal that it wasn't Claudius, but Hamlet. Laertes also encounters his sister has gone crazy.
- Claudius asks Laertes to meet him in private and discuss the things that have happened
- Claudius then receives a letter stating that Hamlet is not dead and that will be arriving the next day
- Claudius and Laertes plan a scheme to kill Hamlet
- Gertrude then enters with news to Laertes that Ophelia has drowned herself
- Act V
- As the gravediggers are preparing a burial for Ophelia, they argue if Ophelia has the right to be buried with christian burial
- Hamlet and Horatio appear behind and soon find out that Ophelia is the women getting buried
- unable to control his frustration, Hamlet runs out to the King, Queen and Laertes proclaiming about how much he loved her
- After Hamlet leaves, he tells Horatio how he survived through the pirates and Claudius' plan to kill him
- Meanwhile, Osric comes in with a message from Claudius. Osric flatter Hamlet and then talks about how good Laertes fencing skills are to get Hamlet Jealous.
- Hamlet does not get jealous, but still accepts to fence with Laertes.
- Laertes and Claudius have poisoned the drink and the sword and put pearls in the drink to kill Hamlet.
- Once Hamlet and Laertes begin to fight, Hamlet sincerely apologizes and Laertes is not sure if he wants to kill Hamlet.
- As Hamlet receives the first victory, Gertrude drinks the wine even after Claudius said not to and dies.
- In the meantime, Laertes and Hamlet is already poisoned by the sword and Hamlet also murders Claudius
- Horatio says that he will follow Hamlet's death, but Hamlet doesn't allow him to.
- After the deaths, Fortinbras attacks and takes control of Denmark, Hamlet is the only one Fortinbas allow for burial.
Significant Characters:
- Hamlet
- Protagonist
- Prince of Denmark
- Son of present Queen Gertrude and late King Hamlet
- Studies at University of Wittenberg
- Has mixed feelings about the ghost
- Plans to revenge King Claudius
- Throughout the play, Hamlet begins to trust no one.
- He is very witty, sarcastic, and bitter
- Had a love relationship with Ophelia
- Claudius
- Present King of Denmark
- Uncle to Hamlet
- Married his brother's wife, Hamlet's mother, Gertrude
- Assumed to have poisoned his brother/late king.
- Tries to kill Hamlet towards the latter Acts.
- Very ambitious and fake
- Gertrude
- Queen of Denmark
- Prince Hamlet's mother
- Re-married to present King Claudius
- Thrives to keep her status
- Gertrude doesn't decide or have a say in anything
- Lonely
- Ghost
- Resembles past King Hamlet
- Only seen by Marcellus, Bernardo, Horatio and Hamlet
- Only talks with Hamlet
- Asks Hamlet to revenge Claudius for his death
- Claims to have been poisoned by Claudius
- Appears once in a while to Hamlet to remind him about the revenge
- Never sure if it actually exists, or it was a temptation
- Horatio
- Friend of Hamlet
- Also studies at University of Wittenberg
- Only person Hamlet trusts throughout the play, although Hamlet's trust is questioned by critics
- One of the first people to see the ghost
- The one who ends up telling the story of Hamlet
- Skeptical about the ghost
- Ophelia
- Polonius's daughter
- Status doesn't meet Hamlet's status
- Hamlet's love (?)
- Desperate to get Hamlet back
- Described as lovely, pretty, beautiful
- Obedient to her father and brother, Laertes
- Assumed to have been pregnant with Hamlet's child
- Polonius
- Lord Chamberlain (noble) of Claudius
- Father of Laertes and Ophelia
- Manipulative and controlling
- ambitious for power
- Laertes
- Son of Polonius and older brother of Ophelia
- Apparently really good at fighting (fencing).
- He is sent to France majority of the play
- serves as a foil to Hamlet, who has a contemplative behavior
- towards the end, Laertes revenges for his sister and father's death
Shakespeare's Style:
- Motif
- Recurring biblical references:
- Hamlet refers to a husband and wife as one flesh.
- the cock crowing three times is similar to the ghost's appearances
- Polonius's act as Julius Caesar
- the murder of Claudius's brother, King Hamlet also refers to Cain and Abel
- Betrayal
- Rosencrantz and Guildenstern betray the childhood friendship and try to lead Hamlet to death
- Gertrude betrays her son, Hamlet and tells Claudius what happened in her room and how Hamlet killed Polonius.
- Claudius betrays his brother and takes his throne
- Claudius betrays Hamlet, and makes it look like he's sent to England, but is ordered to be killed
- Uncertainty
- Polonius is very uncertain about Hamlet's love for Ophelia in which he continues to spy on
- King and Queen are uncertain of Hamlet's madness
- Hamlet is uncertain to which he should believe the ghost or not
- Imagery
- Hamlet's description by Ophelia
- Description of the ghost's appearance
- using metaphors to depict an emotional state
- Tone
- revenge, madness tone in Laertes and Hamlet
- witty and sarcasm in Hamlet's madness
- convincing/ persuasive tone from Claudius or Polonius
- Uncertainty
Quotes:
- "To be or not to be" soliloquy
- The moment Hamlet can't decide if the ghost is right or wrong. He stumbles across dying because everything would be over, and no one would have to worry about anything. (one of the most famous quotes in literature)
Sunday, January 20, 2013
PROMPT REVISION
1981. The meaning of some literary works is often enhanced by sustained allusion to myths, the Bible, or other works of literature. Select a literary work that makes use of such a sustained reference. Then write a well-organized essay in which you explain the allusion that predominates in the work and analyze how it enhances the work's meaning.
PARABLE OF THE PRODIGAL SON: A wealthy man had two sons. One day, the younger son asked his father for his portion of the inheritance. Without a say, the father gave him what was going to be passed on to him. Soon after, the son left to a distant place away from his father's home to live off on his home. He spent all the money given and had nothing left. As the country also faced a famine, he desperately asked around for work. A farmer was willing to hire him and sent him off to feed the pigs. Surrounded by pigs, he couldn't hold his hunger and ate the pod alongside the pigs. He realized that servants at his father's house live in a better condition than him. He decided to go back; in the meantime, the father saw his son from a distance and ran to him with joy and threw him a feast to celebrate his arrival. During the celebration, his older son refused to celebrate, for he was the one that stayed by his father's side and never left. His father replied to him saying that everything he has is already his older son's but that they should be happy that his younger brother came back.
According to Thomas C. Foster, when in doubt, literature is enhanced by sustained allusion to myths, the Bible, or even other works of Literature. In that case, one can assume that Death of a Salesman by Arthur Miller contains allusions from one of the parables in the Bible. The relationship between Willy Loman, Biff, and Happy relate to the prodigal son. With the surface meaning from the parable, Biff resembles the prodigal son, which leads Willy with higher expectations in addition to character contrast that enhances the plot of the Death of a Salesman.
When comparing the play with the parable, the play follows the surface story and meaning of the parable with slight changes. In the parable, the son leaves to live off on his own and comes back after facing reality. This corresponds to Biff leaving at an early age to the west and living on a farm. Upon Biff's arrival, readers notice Willy's higher expectations for biff, which can be referred to the feast that the father held for his long lost son. Because Willy rarely faces reality, he thinks that the higher expectations will make Biff into a greater person; he feels that this is the best for Biff's arrival.Through this incident, the story unfolds with Biff being forced into the business world.
The allusion to the parable also creates a contrast between Biff and Happy. According to the parable, as the son arrives, the other son refuses to celebrate for his brother. He finds it unfair that he's been by his father's side the whole time period, but his brother gets the attention. In response, the father says that everything already belongs to the son that stayed with him. This connects perfectly to Happy and Biff. Throughout the play, it's obvious to see that Happy doesn't receive his parent's love. In fact, Happy is a very passive character who continues to joke and keep peace within his family. Although he doesn't get angry or upset like the the older son in the parable, one can definitely see differences in how Biff and Happy are treated. With Biff's arrival, Willy doesn't expect much from Happy because he is settled in the business environment. Moreover, When the father in the parable says that everything belongs to this son already, one can see that all the "belongings" in the play is Willy's personality itself. Happy resembles all the traits of Willy: business world, many women in his surroundings, and false dreams. With this aspect in the play, it provides the readers with deeper understanding of Willy and both his sons.
Most importantly, the "inheritance" given to the leaving son in the beginning of the parable appears at the end of Death of a Salesman; this reference to the parable serves as an important purpose in the play. Unlike the parable, Biff never asks Willy for his inheritance but it's still given. That is because Willy leaves near the end of the play to kill himself and get his family the insurance money. In reference to the parable, Willy's "inheritance" is the price of his life. With the slight change in sequence between the two stories, Death of a Salesman ends with a powerful message. Through his death "inheritance", one can analyse Willy's character which further explains his relationship with people throughout his life.
Although the biblical allusion isn't vividly evident, it's hard to ignore it. The correspondence between the parable of the prodigal and Death of a Salesman helps readers compare and see from the point of an outside source. Willy's relationship with people, his false dreams/ expectations, and the contrast between the Loman brothers serve as a recurring topic in the play. Willy's materialistic views are displayed all throughout the similarities from the parable. By comparing the play to the parable, it enhances the play's meaning by emphasizing the theme of the American dream.
Although the biblical allusion isn't vividly evident, it's hard to ignore it. The correspondence between the parable of the prodigal and Death of a Salesman helps readers compare and see from the point of an outside source. Willy's relationship with people, his false dreams/ expectations, and the contrast between the Loman brothers serve as a recurring topic in the play. Willy's materialistic views are displayed all throughout the similarities from the parable. By comparing the play to the parable, it enhances the play's meaning by emphasizing the theme of the American dream.
Sunday, January 13, 2013
Response to Course Material #5
After four Course Material Responses, it's a new year and the first semester is almost over. I'm surprised with the amounts of books and stories we've covered and analyzed. Recently, we didn't start on anything too new; we continued on with Hamlet and began some helpful mood/atmosphere exercises. These exercises seem much more interesting and less work. However, Hamlet took some time.
Last Course Material, I said that we started reading Hamlet aloud and I had no idea. It's a little different now; I understand the plot. I've noticed that a lot of Hamlet is illogical which helps me annotate it in ways that may help me to understand. There are several things I wouldn't have known if Ms. Holmes hadn't mentioned. Hamlet's famous soliloquy of "To be or not to be" apparently refers to him deciding over his fate of death. That's something that would've taken me hours to finally understand. As we watched different versions of the play, It helped me realize the strengths of character and their unique characteristics. I assumed that Polonius was just a foolish old man, but that wasn't the case. He's actually very manipulative and likes to have things under his control including the actions and words of his children. We also had a small forum assignment regarding a poem about Ophelia. I feel like there was a deeper level of meaning behind the poem because what I wrote and what my peers wrote were very similar. I think that the author saw Ophelia in a different perspective than a lot of us have. It was interesting to see what other people had to say about one specific character and their actions. We also discussed the opening scene of Hamlet. I said that it wasn't successful, but I change my mind. Ms. Holmes said that every Elizabethan knew the meaning behind a ghost appearing and its connection with the revenge tragedy. If I take that into account, I would have to say that the Act One, Scene One of Hamlet was able to give the audience a skeletal plot... maybe with not enough information though.
Compared to the diction/tone exercises, I like the mood/atmosphere one much better. Not that I Participate more than usual, but in a sense that I feel comfortable and better at it. I think that tone exercises were so tedious that I had to look for clues in a passage (something AP students shouldn't avoid), but honestly, I feel like what I see or hear could be totally off from everyone else's opinions, I stop myself. However, in the mood exercise, we're given visual material to work on which gives me a better start position. I learn that so many people in my class are so talented in expressing things into words. I'm hoping that I improve throughout these exercises.
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